Saturday, December 22, 2012
KRUI - "Local Tunes" Interview
On 12/18/12 Raw Mojo paid a visit to KRUI studio's to play a few new songs from the forthcoming album "Brickbat Theory" and to give an interview. Below is the interview portion of the show for those of you who missed it.
Enjoy!
Thursday, December 13, 2012
Favorite Albums of 2012 - By Dan Bee
Hi, My name is Dan Bee and I make music with a band known as Raw Mojo. Becasue I am a huge fan of music and lists are fun to make I have decided to share with you my favorite and most listened to albums that came out in 2012. This list is in no particular order and just off the top of my head as the music comes to it. I may miss a few albums but the ones I picked I have included a link to at least one cut which has affected me in some way.
Forgetters is easily my highest anticipated and most listened to album of the year. I really enjoy the way Blake writes and how every single word and note he chooses to include somehow seems very important. This alb um has everything from experimental noise jams, punk rock anthems, to tender and well thought out songs like you hear in the track I've chosen below called "Die By Your Own Hand".
If you haven't heard of this album this year you have probably been enjoying your stay under the rock in which you've taken residence. Jack has managed to make an album that is uncompromising, eclectic, and yet still mainstream enough to capture the attention of the Grammy Awards for album of the year. Included below is the album closer and one of my favorite songs off of Blunderbuss known as "Take Me With You When You Go". The track starts off slow with touches of piano and a Doors like groove used to slowly draw you in as instruments are added until you reach the 2:08 mark... this is when the song stops to break out gnarliest of fuzz guitars and the song beats you over the head the way Jimmy Page and Robert Plant would drop a giant concrete balloon on your head in the 70's. Simply a great moment off a great album.
When J Mascis, Lou Barlow, and Murph decided to reunite the original Dinosaur Jr line up a few years ago I was quite excited. At first they just played a few shows of old material and eventually put out 2 albums of new material. Those albums were good but something interesting happened by this 3rd release from them, they actually lived up to their potential. This is the album I've been waiting for the reunited line up to make. There is not a disappointing track from start to finish here. I was lucky enough to get the deluxe edition vinyl of this album and took it to Adam's house for the first listen. The song here is one we both immediately latched on to and rocked out to. At that point, I knew this album was something special.
Ever since the early 90's I've been a fan of The Screaming Trees. Since that band Mark Lanegan has gone on to do many projects and most of them are among my favorite albums of all time. Blues Funeral is no exception, in fact it may be his best effort yet. As if his voice isn't amazing enough, Mark's songwriting has gotten better with time and the man has mastered the art of creating and capturing a mood through music. This isn't just some rock singer spitting out lines to be cool, this is a vocal artist capturing the essence of life, death, and everything in between.
You really can't go wrong when Neil Young comes together with Crazy Horse. From the opening, near 28 minute song to the closing "Walk Like A Giant", this is a rock album which takes risks and if you stack around they pay off. Below is the single edit of "Walk Like A Giant" for your tasting pleasure.
I haven't heard this album as much as I'd like to but the thing that strikes me the most about this recording is the amazing singing of Bob Dylan. We all know the man can write a great song but here his voice has just become otherworldly. There are times where I feel Bob is channeling Louis Armstrong. A good friend of mine told me they thought this is probably the way Bob has wanted to sing his whole life and I can only agree. Because Dylan's record company is so on top of anyone putting up unauthorized music by having it removed immediately, I am forced to use his officially released "Duquesne Whistle" below. While I really do enjoy the song and it gives you a nice taste of what the album is like I would suggest you seek out more for yourself.
Being from Chicago there are a few things which I will always be a fan of, mainly The Cubs and The Smashing Pumpkins. It seems like I am always pulling for both to succeed and in this case one out of two ain't bad. Oceana is a surprisingly good album filled with classic, yet progressive sounding Smashing Pumpkins songs. Band mastermind and only original member Billy Corgan has been re-releasing a slew of old 90's Smashing Pumpkins remasters with bonus tracks. I like to believe it was this trip down memory lane coupled with the eventual actual gelling of the newer band members which has us arrive at this great sounding Smashing Pumpkins record.
In the 80's Bob gave us Hüsker Dü, then in the 90's we got Sugar. Both were heavy guitar driven bands focused on catchy songs with great melodies. Somewhere along the way after the departure of Sugar, Mould became more and more experimental with electronic sounds to the point of losing a lot of his fan base. I've always tried to keep up with him while staying open minded and there were always diamonds in the rough among his releases. Then Bob decided to write an autobiography which led to a tour where he revised songs from Sugar, which led to the making of Silver Age, the return to Bob's guitar driven rock roots. This is pretty much everything you could want from Bob especially if you are a fan of his older stuff. Just one listen and you will hear he has found that spark of inspiration in which he used to create this particular genre of rock. My personal favorite cut "Briefest Moment" was not available anywhere to be shared but the video below should give you a decent taste of the album and the way it sounds.
If you know anything about my tastes you will know I have a deep rooted love for the weird and the comical when it comes to music. Tenacious D albums fill the spot every time they release an album. There isn't much more to say. If you haven't seen the video posted below it's worth watching at least once. The D like to mess with you while they self deprecate.
To be fair, I haven't given this album a fair chance yet but after 1 listen I know it will be a mainstay in my player for awhile. Off the top of my head this track is one of a few that stood out right away. I'll need to spend a bit more time with King Animal but it's a safe bet it's an instant classic in my personal catalog.
All in all 2012 has been a pretty great year for music. I am sure I missed a lot of albums here but I did what I could to give you some cream of the crops. If there are any glaring omissions please feel free to put them up in the comments section.
Thanks for everything and have a great holiday!
-Dan Bee
Forgetters -Forgetters
Forgetters is easily my highest anticipated and most listened to album of the year. I really enjoy the way Blake writes and how every single word and note he chooses to include somehow seems very important. This alb um has everything from experimental noise jams, punk rock anthems, to tender and well thought out songs like you hear in the track I've chosen below called "Die By Your Own Hand".
Jack White - Blunderbuss
If you haven't heard of this album this year you have probably been enjoying your stay under the rock in which you've taken residence. Jack has managed to make an album that is uncompromising, eclectic, and yet still mainstream enough to capture the attention of the Grammy Awards for album of the year. Included below is the album closer and one of my favorite songs off of Blunderbuss known as "Take Me With You When You Go". The track starts off slow with touches of piano and a Doors like groove used to slowly draw you in as instruments are added until you reach the 2:08 mark... this is when the song stops to break out gnarliest of fuzz guitars and the song beats you over the head the way Jimmy Page and Robert Plant would drop a giant concrete balloon on your head in the 70's. Simply a great moment off a great album.
Dinosaur Jr. - I Bet On Sky
When J Mascis, Lou Barlow, and Murph decided to reunite the original Dinosaur Jr line up a few years ago I was quite excited. At first they just played a few shows of old material and eventually put out 2 albums of new material. Those albums were good but something interesting happened by this 3rd release from them, they actually lived up to their potential. This is the album I've been waiting for the reunited line up to make. There is not a disappointing track from start to finish here. I was lucky enough to get the deluxe edition vinyl of this album and took it to Adam's house for the first listen. The song here is one we both immediately latched on to and rocked out to. At that point, I knew this album was something special.
Mark Lanegan - Blues Funeral
Ever since the early 90's I've been a fan of The Screaming Trees. Since that band Mark Lanegan has gone on to do many projects and most of them are among my favorite albums of all time. Blues Funeral is no exception, in fact it may be his best effort yet. As if his voice isn't amazing enough, Mark's songwriting has gotten better with time and the man has mastered the art of creating and capturing a mood through music. This isn't just some rock singer spitting out lines to be cool, this is a vocal artist capturing the essence of life, death, and everything in between.
Neil Young - Psychedelic Pill
You really can't go wrong when Neil Young comes together with Crazy Horse. From the opening, near 28 minute song to the closing "Walk Like A Giant", this is a rock album which takes risks and if you stack around they pay off. Below is the single edit of "Walk Like A Giant" for your tasting pleasure.
Bob Dylan – Tempest
I haven't heard this album as much as I'd like to but the thing that strikes me the most about this recording is the amazing singing of Bob Dylan. We all know the man can write a great song but here his voice has just become otherworldly. There are times where I feel Bob is channeling Louis Armstrong. A good friend of mine told me they thought this is probably the way Bob has wanted to sing his whole life and I can only agree. Because Dylan's record company is so on top of anyone putting up unauthorized music by having it removed immediately, I am forced to use his officially released "Duquesne Whistle" below. While I really do enjoy the song and it gives you a nice taste of what the album is like I would suggest you seek out more for yourself.
Smashing Pumpkins - Oceana
Being from Chicago there are a few things which I will always be a fan of, mainly The Cubs and The Smashing Pumpkins. It seems like I am always pulling for both to succeed and in this case one out of two ain't bad. Oceana is a surprisingly good album filled with classic, yet progressive sounding Smashing Pumpkins songs. Band mastermind and only original member Billy Corgan has been re-releasing a slew of old 90's Smashing Pumpkins remasters with bonus tracks. I like to believe it was this trip down memory lane coupled with the eventual actual gelling of the newer band members which has us arrive at this great sounding Smashing Pumpkins record.
Bob Mould - Silver Age
In the 80's Bob gave us Hüsker Dü, then in the 90's we got Sugar. Both were heavy guitar driven bands focused on catchy songs with great melodies. Somewhere along the way after the departure of Sugar, Mould became more and more experimental with electronic sounds to the point of losing a lot of his fan base. I've always tried to keep up with him while staying open minded and there were always diamonds in the rough among his releases. Then Bob decided to write an autobiography which led to a tour where he revised songs from Sugar, which led to the making of Silver Age, the return to Bob's guitar driven rock roots. This is pretty much everything you could want from Bob especially if you are a fan of his older stuff. Just one listen and you will hear he has found that spark of inspiration in which he used to create this particular genre of rock. My personal favorite cut "Briefest Moment" was not available anywhere to be shared but the video below should give you a decent taste of the album and the way it sounds.
Tenacious D - Rize of the Phoenix
If you know anything about my tastes you will know I have a deep rooted love for the weird and the comical when it comes to music. Tenacious D albums fill the spot every time they release an album. There isn't much more to say. If you haven't seen the video posted below it's worth watching at least once. The D like to mess with you while they self deprecate.
Soundgarden - King Animal
To be fair, I haven't given this album a fair chance yet but after 1 listen I know it will be a mainstay in my player for awhile. Off the top of my head this track is one of a few that stood out right away. I'll need to spend a bit more time with King Animal but it's a safe bet it's an instant classic in my personal catalog.
Jeremy Kinn - Last Word
As both a song writer and guitar player I look up to Jeremy Kinn. Early this year he put out a small run of his album "Last Word". It's a brave heartfelt venture into honesty, experimentation, catchy melodies, and great songwriting. Jeremy only has a few of these songs online so I went to his Soundcloud page to share this one with you.
All in all 2012 has been a pretty great year for music. I am sure I missed a lot of albums here but I did what I could to give you some cream of the crops. If there are any glaring omissions please feel free to put them up in the comments section.
Thanks for everything and have a great holiday!
-Dan Bee
Thursday, November 8, 2012
Loud-Stuff Reviews "Veins"
Click the link about to read the fresh, just today released review of "Veins" by the good folks at Loud-Stuff!
Tuesday, November 6, 2012
LIVE @ Tailgators - Saturday Novemeber 17
Our good friends in Toology (www.manthemachine.net) the ultimate Tool tribute band will tear up the stage and rock your eardrums at Tailgators in Cedar Rapids. Raw Mojo will be opening the show and may even have a few advance copies of the new album Brickbat Theory available to those lucky enough to be there. So what do you say, are you ready to get your rock on at Tailgators?!
Tuesday, September 18, 2012
The Daily Vault
The Daily Vault was founded on January 13, 1997, by Chicago-area
music fanatic Christopher Thelen (a.k.a. Bob Pierce). From the start,
the Daily Vault has sought to serve the widest possible audience,
reviewing music of all genres (from classical to death metal, from
unknown indies to global superstars) and from all eras (new, old and
in-between). Its eclectic mix of coverage, including CD reviews, concert
reviews and artist interviews, has attracted music fans and writers of
all ages and backgrounds from all over the world.
Recently The Daily Vault obtained a copy of the now classic Raw Mojo album "Veins" and put it on the block for review. To read what reviewer Tom Haugen has to say about the album Click Here.
Recently The Daily Vault obtained a copy of the now classic Raw Mojo album "Veins" and put it on the block for review. To read what reviewer Tom Haugen has to say about the album Click Here.
Thursday, September 13, 2012
Sunday, August 26, 2012
Friday, August 17, 2012
Vents Magazine - The Interview
Tuesday, July 17, 2012
DRAG is available!
Here are a few places you can now get the new Raw Mojo single "DRAG":
iTunes
CD Baby
Google Play
Bandcamp
Myspace
Zune
Links from Amazon, Spotify, MOG, and more to follow soon!
There are also radio stations playing "DRAG" right now. There are:
KQ92 out of Burlington Iowa, contact radio personality Mike Savage and request it between 3-7 PM. Or Email: savage@kq92rocks.com or call (319) 754-9208.
WNLF - Modern Rock 95.9 in Macomb, IL now has added "DRAG" to their library thanks to Kevin Dean, his show airs every Saturday at 10PM. You can always call them and request to hear it at 309-833-2121or Email Kevin at Kevin@prestigeradio.com
Iowa City can get in touch with KRUI.fm
or
KKRQ 100.7 The Fox
Thank you everyone,
-Dan Bee
iTunes
CD Baby
Google Play
Bandcamp
Myspace
Zune
Links from Amazon, Spotify, MOG, and more to follow soon!
There are also radio stations playing "DRAG" right now. There are:
KQ92 out of Burlington Iowa, contact radio personality Mike Savage and request it between 3-7 PM. Or Email: savage@kq92rocks.com or call (319) 754-9208.
WNLF - Modern Rock 95.9 in Macomb, IL now has added "DRAG" to their library thanks to Kevin Dean, his show airs every Saturday at 10PM. You can always call them and request to hear it at 309-833-2121or Email Kevin at Kevin@prestigeradio.com
Iowa City can get in touch with KRUI.fm
or
KKRQ 100.7 The Fox
Thank you everyone,
-Dan Bee
Friday, July 13, 2012
One For The Weekend
As you may have heard, Raw Mojo is set to release their new single "DRAG" in iTunes and other digital media outlets on Monday July 16th, 2012. Iowa, you can hear a sneak peak of the song by tuning in to Mike Ryan and his show Discover and Uncover on 100.7 KKRQ on your FM radio. The show starts Sunday July 15th at 9pm (Central Time) SHARP...for those of you who live outside of Iowa and want to hear, the show will be streamed live on their website: http://radiotime.com/station/s_33585/The_FOX_1007.aspx ...so you and your friends EVERYWHERE can tune in!!
Monday, July 2, 2012
Raw Mojo to release "DRAG" on July 16th
Raw
Mojo unveils their first studio recording in 3 years, with their new
track entitled "DRAG.” The Iowa based rock band will make this digital
debut July16th, and will be available day of release via iTunes,
Spotify, or anywhere else you download
digital music. The track was recorded in 2012 while Raw Mojo was working
on new material for their long awaited next album.
Please "Like", Share, Tweet, or anything else you can think of to get the word out about this new release.
Please "Like", Share, Tweet, or anything else you can think of to get the word out about this new release.
Saturday, June 30, 2012
Raw Mojo on Little Village Live
Join Little Village Live and Raw Mojo on July 18th. Raw Mojo is scheduled to perform all new material and Little Village Live will be interviewing the heavy hitting Iowa City rock band.
Though it's gonna get loud, these shows are all-ages and family friendly. Just remember to bring ear plugs for yourself and the kiddos.
Public Space One and Little Village Live are also providing sweet and salty snacks from the New Pioneer Co-Op. Plus there's air conditioning. How much more do you need??
Time: 5-6 P.M. CST
Where: Public Space ONE
129 E. Washington St. Iowa City
Price: FREE
Listen Live at 89.7 F.M.
Or stream the show live from your computer at http://krui.fm/listen/
Though it's gonna get loud, these shows are all-ages and family friendly. Just remember to bring ear plugs for yourself and the kiddos.
Public Space One and Little Village Live are also providing sweet and salty snacks from the New Pioneer Co-Op. Plus there's air conditioning. How much more do you need??
Time: 5-6 P.M. CST
Where: Public Space ONE
129 E. Washington St. Iowa City
Price: FREE
Listen Live at 89.7 F.M.
Or stream the show live from your computer at http://krui.fm/listen/
Sunday, June 17, 2012
GEAR!
An Interview with Peter
Rutter of VFE Pedals
By Dan Bee
The Proto OD III |
DB: VFE stands for “VonRutter Family
Effects”, how is your family involved in your business?
Rutter: When pedal building transitioned
from hobby to business, I was still a full-time teacher. My brother
built most of the pedals during this time, and he helped come up with
several names of the pedals. My dad has contributed financially a key
moments, like paying for our air travel to get me to my first NAMM
show in January. Right now I am the only member of the family that's
officially working for VFE,
Just FYI, "VonRutter Family
Effects" is a play on words, from the "VonTrap Family
Singers" in the Sound of Music movie. My last name is
Rutter...some people think it must be VonRutter, but that's part of
the joke!
DB: What kind of educational and work
background do you have?
Rutter: I have a general Associate of Arts
degree, Bachelors in Mathematics (physics minor), and a Master's in
Teaching. I taught high school mathematics from Pre-Algebra up to
Calculus for five years.
DB: How was VFE started?
Rutter: I bought some DIY kits from Build
Your Own Clone in the spring of 2008. By the summer, I was already
modifying these kits and coming up with my own ideas. I couldn't keep
everything I made on a private school teacher's salary, so I sold
them on eBay. My ideas kept progressing until I decided to try my
hand at designing an original circuit board layout, which was quite
simple compared to my current pedals. After that, people kept buying
and things kept growing. We decided to make it official in January
2010, which is officially when VFE Pedals began.
DB: How did you recognize an
opportunity and develop it?
Rutter: Honestly, this was just something I
did as a hobby that grew into a business. My wife & I thought
that summer 2011 would be the best transition time to start working
full-time on the business. But we were compelled to start living a
different life than that of a private school teacher (no extra time &
no extra resources). We wanted to be able to give away our time &
resources, so the flexibility of running my own business led me to
start working full-time at VFE 12-18 months earlier than we had
planned.
DB: What problems did you encounter as
the business got underway and how they were solved?
Rutter: There are still problems to be
solved, but here is one example. I originally sold direct &
through eBay only. I had dealers knocking on the door, but I knew
that I would have to raise prices to have enough margin to sell to
dealers. I didn't want to raise prices without improving the product,
as I felt that was unfair to do to the customer. So I worked on some
new ideas to improve the quality of the switching system, a more
professional silkscreen graphic, and a longer warranty. All these
improvements added only a small amount to my cost, but added
significant value. This allowed me to raise pricing to the point
where there was enough margin to sell to dealers.
DB: What advice would you give to an
aspiring entrepreneur?
Rutter: Start young, and learn from your
mistakes. I was a teacher & obviously encourage people to get an
education, but I think some people need to start businesses right out
of high school or right out of college (or during college). I've
learned more from doing than I ever did from someone lecturing at me.
Also, if you don't have a clear vision,
don't start. Get a job & start something as a hobby first. Until
you have a clear vision, even if you make money, you won't be
satisfied because you'll know that the product or service you offer
is sub-par.
DB: Is VFE a passion for you?
Rutter: Yes. I am thinking about new ideas
about the smallest little details all the time. Most "light
bulb" moments come when I'm not in the shop, so it's definitely
on my mind a lot. If I could step away from the business side for a
few months & just develop ideas, well, it would be crazy. But I
need to keep focused on what products we already have!
DB: Is there a lot of competition in
your market and if so, is it cut throat?
Rutter: I've found that most guys in the
boutique pedal market are very amiable, and love to talk shop. There
are some ideas they hold close to the chest, which is understandable,
but in general I've found the community of builders to be a valuable
resource. I think we all understand that if we build great products,
we don't have to worry about each other. There is plenty of business
going to manufacturers that create uninspiring products, and as the
Internet continues to bring smaller builders closer to the world,
many more musicians are "growing up" knowing about way more
options that just the big names. To wrap it up, I think the best
products & customer experience is the biggest factor for success,
especially in the age of social media, so I don't worry about
competing with other builders.
DB: Do you find customers to be respond
more to new products or improvements to existing products?
Rutter: There are two things that I think
customers respond to the most. The first is truly original ideas.
Music is a creative art, so musicians love to see creative work. The
other is taking ideas that have been around & bringing them
together in a new way that's so intuitive that the sum is greater
than the parts. Take The Scream for example. There are zero new
ideas, at least as far as what could be done to the Tubescreamer
circuit. But The Scream puts all those ideas into a single compact
space that not only can do all the tones of the tubescreamer
variants, but also entirely new ones of its own.
DB: What hopes do you hold for the
future for VFE?
Rutter: I have a number of crazy ideas, but
my focus right now is the compact lineup of effects we currently
offer. I've found that if I allow myself to be distracted with too
many other ideas, I can't build a better product, and I don't serve
the customer or the dealers that support me as well. So while I plan
to create different product lineups in the future, it's our focus on
the building the best products we can right now that really allows
VFE to continue to improve already great products. I hope that makes
sense. I've found that by continuously pressing in on the design in
every season, I come up with new ideas naturally without having to
"look forward" into our distant future.
If you would like to learn more about VFE Pedals visit their website http://www.vfepedals.com/
Sunday, March 4, 2012
Pix at Old Brick Recording Studio
Dawn Frary of Dewey Street Photo dropped by the Raw Mojo recording sessions at The Old Brick and came away with some really great shots of the band and other oddities.
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